Category Archives: Chefs
I’m in an Ape (ah-pay) State of Mind
Check out the cutest little car in the world: the limited edition Ape (pronounced ah-pay) Calessino, manufactured by the Vespa kings – Piaggio. I’m doing a good job of breaking the tenth commandment this week…

It’s a far cry from the little Ape workhorses to be found chugging along Italy’s country roads or delivering a surfeit of produce to the local market via the narrowest of alleys.
Being Italian, they know how to sell these trusty little beasts of the car world – dressing them up for chic seaside photo shoots.
True Ape-lovers can be quite creative with their decoration:
Sal Machiani, a Tuscan Ape, made his name as an actor in Cars 2:
And now you can even build your own Ape. With LEGO!

This isn’t the only picture I’ve seen of a bride and groom making their getaway in one of these trusty little three-wheelers:
Berwick Street Market’s Pizza Pilgrims cook pizza in theirs:
And they’re not the only ones with such entreprenurial uses for their small vans:
There are so many Ape fans in the world that this selection of ape images only scratches the surface.
Alas, I have nowhere to park my dream Ape Calessino, even if Santa Claus managed to stuff one into my stocking this year and, truth be told, I don’t have stockings quite big enough for that sort of filler. Never mind. Thankfully, I’m content to daydream about my little Ape and what we might get up to together. With such a tiny engine and miniscule speed potential, breaking the sound barrier or filling up my licence with points wouldn’t be our kind of adventure, however filling up the back with a (small) friend, a (small) dog and plenty of everything for a relaxing afternoon in one of London’s parks, just might work. And, just like a cute puppy, a darling Ape like the Calessino is bound to be an ice-breaker, wherever we end up.
Dining Success at Borgnefesse!
The Blind-in-one-eye Bum is an interesting name for a food establishment, and that’s the rough English translation for a Saint Malo restaurant named Borgnefesse. Borgne means blind in one eye (how efficient of the French to have one word for this affliction instead of four in English) and fesse means bum, buttock or bottom, whichever you prefer.
The original Borgnefesse was a certain buccaneer named Louis le Golif, who reputedly had had one buttock shot off by a cannon ball, hence the sobriquet which may also translate as ‘half-arse’ or ‘but one buttock’. No one can be sure whether or not the memoirs for which le Golif gained renown are fact or fiction, but apparently it’s quite an entertaining read if you’re a pirate nut who celebrates International Talk Like a Pirate Day each September. Thankfully, when Monsieur and I found Borgnefesse, the ‘half-arsed’ restaurant, there were no pirates (nor parrots) in sight.
We’d just arrived in Saint Malo after a long day which had involved much driving, battling of crowds at Mont Saint Michel, and a couple of fluffed-up €28.00 omelettes which were more like air bags than proper food and therefore barely sustained us through the afternoon. So tonight, we were hungry and boy, did we ever want to eat a fairly priced meal. Saint Malo boasted loads of eateries, but would we find one to suit our rather demanding palates?
A sunset walk about the ramparts of the old walled city had contributed to our appetites, so we set about finding somewhere to eat. One recommendation had closed and was now boarded up. The next on the list had changed in both name and cuisine. Some were closed because it was Tuesday. Some were closed for the summer holidays. We weren’t having much luck so we tried the strip of bustling restaurants along the wall between two of the town’s Portes but most of them served the same fare in similar prix-fixe formulae. Yawn. So we wandered away from the summer crowds and copycat menus in search of something a bit different.
The next restaurant we tried had taken its last orders at 9.30pm, even though its dining room was only half full. A handful of others we found to be too pricey and we’d had enough of feeling ripped off for one day, so we returned to a place we’d spotted earlier. The menu was compact but interesting and a pirate sign hung outside – now that’s different. Thus Monsieur and I entered Borgnefesse.
It was already close to 10pm but the waitress was smiling as she gave us a table. She single-handedly managed the entire room without even the hint of a grimace and all the patrons seemed happy. The decor had a subtle nautical theme, but all the table dressing was up-to-the-minute, with mushroom-coloured napkins and cloths. A stack of old books on a shelf between tables added a homely touch. In summary, the atmosphere was understated and warm.
There were no printed menus because this was a market restaurant, that is, they cook and serve whatever they find fresh at market each day. On a blackboard, across the room, were listed three different ‘formule’ or set menu options with different price points depending on the ingredients. Monsieur and I chose the middle-of-the-road €19.80 formule, which included a seafood starter, choice of main and cheese or dessert.
We both enjoyed our plates of fresh seafood, including succulent bulots (sea snails) which we twiddled out of their shells with a bulot pin, prawns and half a crab, complete with four long and spindly legs each. All the requisite shell cracking and crab-extracting tools were supplied so Monsieur and I could get our hands messy with produce so lipsmacking that it must have been that afternoon’s catch.
Monsieur was in need of a red-meat fix, so ordered the entrecote as a main. When it arrived it was smothered in a rich, peppery sauce and when my own main was set before me, I could see that the chef here must also be an excellent saucier because my stuffed squid was swimming in a little pond of aromatic sauce tinted a rich butter-cream colour with just a touch of saffron. Mon Dieu, how that squid was delicious – filled with a blend of minced calamari and tomatoes, and softened by the delicately spiced-up sauce. Served with a modest helping of wild rice and diced veg, the overall effect tickled all of the senses. The opposing textures jumped about on my tongue yet didn’t fight; rather they complemented one another. The squid was delightfully soft, having been cooked to perfection. The flavours blended into an overall impression of somewhere exotic and hot with a breeze from the sea. Oh yes, I did enjoy this dish very much indeed, and across the table from me, my husband had inhaled his entrecote so quickly that he’d been bored for a while now – a sure sign that everything on his plate had met with his hard-won approval.
For dessert, Monsieur polished off refreshing mango and strawberries with ‘their’ sorbets, as they say in France, while I had the most sensible cheese course ever: a simple slice of creamy camembert served with a couple of leaves of lettuce and some bread. It was tout simple but couldn’t have been more appreciated. Yes, I crave a taste of cheese at the end of a meal in France, but no, I didn’t always have the capacity for an entire cheeseboard. Long have I mourned the fact that I wasn’t born with more stomachs, like a cow, but it’s a fact I’ve learned to live with and the people at Borgnefesse make this hardship a little easier to bear by getting their portions right.
So, the food was superb, but at €26.00 our Pouilly Fumé tasted young and, strangely for a Pouilly, lacked in both character and bite, but in this instance even a duff bottle of wine remained perfectly quaffable. As we paid the bill and wandered back down towards the Grande Porte, Monsieur and I were comfortably (as opposed to belt-poppingly) sated.
“Do you want to know how much the bill was?” Monsieur asked,
“Sure,” I replied,
“Well, it was significantly less than those stupid omelettes at La Mère Poulard.” he announced,
“Hmmm. Doesn’t surprise me.” I said, “those were some seriously overpriced eggs.”
It wouldn’t take a mindreader to work out which of the two establishments, Borgnefesse or La Mère Poulard, is assured of our future custom, especially if the menu du jour shows the chef’s famous fish of the day stuffed with fresh Breton lobster or the Lotte (monkfish), which one former patron has described as ‘inoubliable’ (unforgettable). For now, Monsieur and I were simply relieved to have enjoyed a fine meal at a fair price. Even with a name like The One-Eyed Buttock, we will be back.
Yoisho and the Dream Sashimi Sea
I have a dear, small, Scandinavian friend who, like me, loves food. This friend has survived a life-altering, direction-changing year, culminating in a decision to leave London in favour of her Tokyo-based love, going via Denmark to enjoy some quality family time. Needless to say, she couldn’t possibly leave the country without first dining with me, not least because such a large part of our friendship exists thanks to passionate discussions about FOOD.
The Tokyo Boy had recommended for us a little tavern-style Japanese place on Goodge Street. I googled it and the first review I read scared me. A Japanese person had written it, slating the staff and taking no prisoners about their surly attitude to white patrons. No no no, we couldn’t risk it, could we? Not on our last dinner together for some time. Scandi-La was resolute, however. Tokyo Boy liked it and so would we. In the wake of her culinary courage, I followed her lead and we went to Yoisho.
On entering this modest little restaurant, it’s obvious that this place is run by Japanese, for Japanese, with Japanese businessmen dotted around the place sipping on sake with loosened ties. We sat at the counter overlooking the grill chef’s work and immediately ordered bottles of Asahi dry and some warm sake. We had two waitresses, both of whom were perfectly professional towards us (no gaijin phobia there) and one of whom bore a fantastic short haircut of some style and geometric precision. Behind the counter the grill chef worked tirelessly, smiling at us and nodding shyly from time to time. Scandi-La and I felt not one hint of hostility towards us, although our enthusiasm for Japanese food and a few words of Japanese definitely did not go astray.
On the counter stood a lucky cat with waving paw and a figurine of a beer-hugging fisherman replete with fish and rod. The decor was hardly inspired, but felt refreshingly authentic in its tattiness, as if we’d walked off an Osaka street instead of a street in a wet and crowded pre-Christmas London. As usual, we struggled to decide on our food but eventually settled on gyoza (dumplings), a mixed sashimi platter, another of tempura followed by eggplant with miso – one of my all-time favourite Japanese recipes. Added to this was a selection of chicken skewers – some kebab-style; others mulched into grillable balls.
The gyoza were exactly as they should be: light, soft and tasty with that hint of Japanese chive, but it was the sashimi that stole the first part of the Yoi-show. In a more favourable review of this eatery, someone had written that the sashimi was so fresh that there must be an ocean in the basement. This praise was not an exaggeration of the quality of the fish we were served. Scandi-La and I hummed with a united appreciation of the yellow-fin tuna, salmon and some sort of delicate white fish – all absolutely fresh and almost creamy as each morsel dissolved altogether too quickly against my palate, with barely the need to chew, but the star of the sashimi platter had to be the prawns. Previously to dining at Yoisho, I’d never eaten sashimi prawns. These were served vaguely blue, ready to pop out of the pink prawn shell, and my word, how they tasted as they slipped around my mouth! Suddenly I wished myself a pelican so I could eat such things all day.
The mixed tempura, a heap of gilded king prawns and vegetable pieces, was almost fluffy, so perfect was the golden batter. And when we moved onto the eggplant with miso, I was ascending to eggplant heaven. The eggplant flesh was steaming and soft and slushy beneath the generous layer of miso – which both sweetens and salts the hot fruit beneath. We dug our chopsticks into the flesh, careful to load them with both eggplant and sauce, humming with yet more gastronomic delight.
At some point in proceedings I ventured down the modest staircase to the ladies’ room, tucked away down a corridor in the basement. En route I discovered another dining room, filled with more Japanese people enjoying some post-work down-time. The ladies’ facilities were scruffy, as I’d expected, and there, in the corridor, was the sashimi ocean we’d been discussing earlier. Well, not really an ocean, just more of a large puddle. There was no sign of pipework or a leak in the immediate vicinity, so I wondered how it got there. Could it be a magic, sashimi-producing ocean? Could it be that a sake-swilling patron had leaked on the way to the loo? Perhaps someone had left their brolly there and it the water was its legacy. Whatever it was, it made me smile. Perhaps there really are secret basement oceans capable of producing dream sashimi.
The verdict? Scandi-La and I were more than satisfied that our last London dinner together had been such a success. As we paid up, the grill chef looked sad to see us go. I think he must have enjoyed all our happy hmmm-ing and humming, yet I have to be honest and say that neither diner particularly enjoyed the chicken, leaving most of the skewers intact. In short, if you’re hungry for sashimi in London, give Yoisho a go. Here’s how Yoisho scored against the Epicurometer:
Gyoza – 8/10 (extremely good but not remarkable)
Sashimi – 10/10 (absolutely magical from that ocean in the basement)
Tempura – 8/10 (extremely good but nothing unusual)
Eggplant with miso – 7/10 (very tasty and I hate to admit it but I once had better in Sydney)
Mixed chicken skewers – 4/10 (had the texture of cheap chicken meat. It’s not like Scandi-La or me to leave food on our plates in a Japanese establishment so this was poor going.)
Asahi dry – 10/10 (great to have the choice of dry and comes in large bottles so it keeps you going for a while)
Sake – tut tut, wicked girls! We chose a sake for serving cold and asked the waitress if it was possible to serve it warm. Yes it was and there was no fuss about it or trying to upgrade us to a superior sake for serving warm. I don’t know enough about sake to score it but safe to say that it was perfectly drinkable with that lovely warm rush that’s so precious when you’ve just been drenched by a London downpour, as I had.
Decor – don’t go here if you’re passionate about interiors, unless you want to see a well-seasoned Japanese tavern-style eatery. Upstairs is definitely better than down, and that’s saying something.
Eating at the counter – 10/10 for entertainment value, relative comfort and the fisherman figurine. I think he’d be happy to come home with me and live with Blue Monkey.
Staff – The waitresses get a score of 7/10 and the grill chef earns himself a 9/10 for being so friendly.
Likeliness to return to Yoisho? 10/10 as in extremely likely. If I weren’t watching my pennies before Christmas, I’d teleport myself there right now. Those sashimi prawns are what dreams are made of.
Yoisho – 33 Goodge Street London, W1T 2PS - 020 7323 0477
Lighten Up by Jill Dupleix
For the true grub-loving gastronome, the most fatal by-product of enjoying our food has to be weight gain. Monsieur and I are no different, loving our food as we do and engaged in a constant battle of taste versus calorific content. It was therefore serendipitous to catch a tweet from Quadrille Books, asking for bloggers to review Lighten Up by Jill Dupleix.

I admit that Dupleix’s name was relatively new to me, so for a girl with shelves plural devoted to cookbooks, I have had to ask myself why this is the first of Dupleix’s fourteen books to break into the Epicurienne fold. As I learn more about this seasoned kitchen whiz, I am astounded that her profile isn’t better known in London. I thought it might just be me, so I asked some foodie friends about Dupleix. Apparently, it wasn’t just me. It would seem that unless you’re a regular reader of The Spectator or The Times food columns, you may just have missed this writer, much like I have, and that is what I’d call an absolute travesty of gastronomic proportions. Here’s why.
Dupleix’s website profile tells us that she was born on a sheep farm in Australia, growing up with ‘good, fresh, no-nonsense home cooking’. (This sentence alone makes me nostalgic for the freshness of unregulated Downunder produce). But, in spite of a growing passion for food, Dupleix didn’t enter the realm of the food writer until she’d done a spell of copywriting, encompassing such non-food-related topics as cars and fashion. Then something happened along the way and a passion for food, cookery and restaurants overtook all else. Dupleix first took the mantle of Cookery Editor for the Sydney Morning Herald, later moving to London to do the same job for The Times. Nowadays, Dupleix contents herself with freelance food writing and cookbook work, which is a good thing indeed, especially for foodies whose nightmares involve a set of bathroom scales.
Bring on Lighten Up, the latest Dupleix offering, first released in 2007. From the moment I first flicked through this brightly-covered paperback, I was a fan. Then I read the introduction and became a total Jill Dupleix acolyte. Once I proceeded to test the recipes for myself, I started daydreaming about hanging out with Dupleix in her kitchen, making Chawan Mushi.
So what makes this book different from its rivals? For a start, the inspiration. Dupleix has created a more easygoing, lighter alternative to the heavier northern hemisphere diet, which sees altogether too many antipodeans expanding sideways once they’ve landed in the likes of North America or Europe. There is proven, personal inspiration also, in the form of Dupleix’s husband, Terry Durack, a restaurant critic who, through his self-professed love of long lunches, cultivated quite an impressive girth. With the help of Dupleix’s lighter approach to eating, he managed to lose an admirable 38 kilos. Now, with Lighten Up, we can all benefit from Dupleix’s tasty, healthy food and a few lost pounds to boot.
The book’s layout is so easy to follow that even a novice cook would find it difficult to make a hash of the recipes. The instructions are short and written in a brief, bullet point style, starting with the action required for each stage: SEAR, CUT, MIX, ADD, TOSS, TRIM, SERVE. The book is separated into sensible sections, such as Morning Food, Salad Food, Soupy Food, Spicy Food, Fast Food and Slow Food. These are interspersed with snack ideas using bananas, bread (yes, the Dupleix Way even bread-based snacks can be good for you!), Japanese ingredients like nori and miso, and perhaps not surprisingly, tofu. There’s a glossary of terms so you have no excuse for mistaking your tamari for tamarind, and if you’d like to know what kitchen accessories rate high on Dupleix’s list, you will find out in Lighten Up.
That’s the summary, but in practice, what are the recipes like? So far, so scrumptious. I’ve particularly enjoyed the ease of Fast Roast Fish with Anchovies, the Fresh Salmon burgers with dill pickles and watercress and Spring Onion Scallops served in their shells, which were so professionally tasty that friends might think you’d called in the caterers. Grilled Chicken with Salsa Verde has received exacting Monsieur’s seal of approval and I’m happily working my way through the little recipes in the Extras section. But what I particularly love about Lighten Up is that it’s time-friendly to the full-time working woman, allowing weight-loss to be quick in preparation with any sense of deprivation completely eliminated.
Still on food but with a whole different slant, here are some articles by Dupleix:
How I shrunk food critic Terry Durack, where Dupleix talks about transforming her husband from Mr Piggy into Mr Fit
Hollywood audiences must think we never eat, where Dupleix wonders why Great Australians are never seen eating on film
And if you want to try out some fantastic sweetcorn fritters, here’s a Dupleix recipe for you. Oh, boy, I’m actually making myself hungry now.
Lighten Up is certainly a worthwhile introduction to Dupleix, with the tantalising photography by Petrina Tinslay spurring me on to try more and more of the Lighten Up recipes. Next on my list will be Chicken Tortilla Soup with Avocado, Watermelon Carpaccio with feta cheese and kalamata olives and the Crab Salad with pumpernickel crisps. When I’m done with those I just might let have to pop along to Books for Cooks to pick up another of the thirteen Dupleix books I have yet to read. I have a funny feeling that Jill Dupleix will be popping up again on Epicurienne, so if you like her style, watch this space.
From aspic setting to lobster killing – Julie and Julia do French cooking
When I was about eleven, I started home ec classes at school. My classmates and I then spent the next two years fighting over ingredients in these core classes as we perfected the mangling of simple dishes such as scrambled eggs and kedgeree. The worst part of these classes, however, was post-cooking when we had to sit and EAT what we’d just burned, undercooked or over-salted. At this key time in my culinary development I learned precisely how not to cook in class; conversely I learned how better to cook at home, where I’d help in the kitchen and sit with my mother in front of afternoon TV shows of Julia Child slamming food around her studio kitchen amidst what could only be described as a slightly awkward, inelegant presentation. Part of me loved watching her infectious passion for food and admired the results, wishing she could visit our dated home ec kitchen to inspire our prematurely-jaded attempts at food preparation; another part of me sat glued to the set in awe of the hulking woman who obviously knew her onions when it came to food, but whose booming voice and giant stature were more than a little intimidating. In case you need reminding, here’s a clip of La Child in action:
Cue a bout of Julia Child amnesia, until last year, when I bought Julia Child’s memoir, My Life in France, written in conjunction with her great nephew, Alex Prud’homme. I’m embarrassed to say that it sat in my ‘to read’ pile for some time until recently, when I quite literally devoured it. Once more, I was mesmerised by this towering doyenne of cuisine as I learned that there was so much more to her own personal history than is first apparent when you think of an acclaimed author of cookbooks. For a start, she wasn’t born with a wooden spoon in her hand, nor could she bake soufflés before she could walk. Au contraire; Julia Child didn’t start cooking until she was 37 years old, when she moved to post-war France with her adored husband Paul. Once there, her love of eating and a fascination with French food led her to the Cordon Bleu school, where she studied food and its preparation. Julia also spent time getting to know the local market vendors, finding the best produce, learning French and experimenting in her own kitchen in an odd apartment on the ‘rue de Loo’, as she called the rue de l’Université. On top of all of the above, the tireless Julia somehow found the time to socialise with Paris-based foodies. She taught, gave dinner parties, helped a couple of new friends with their attempt at ‘cookbookery’, and it is this latter activity that eventually developed into Child’s weighty mega-oeuvre, Mastering the Art of French Cooking (1961), which brought truly French methods and cuisine into the American kitchen and subsequently revolutionised many kitchens all around the world.

This new-found passion for French cuisine changed Julia’s life, but not without hard graft did she become a published household name with her own TV show. I dare not give too much away, as this book is filled with such characters and surprises and inside knowledge of famous restaurants, critics and foods (I yelped with delight at the part where she visits the original Poilâne bakery in the name of breadmaking research) that it demands a reader’s first-hand attention, rather than a second-hand account. However, to whet your appetite, I will say that the complex politics of the time does not escape mention and honest accounts of strain on a workaholic’s interpersonal relationships, a quite unexpected picture of Julia in the bath with her husband and the down-to-earth description of universal frustrations and disappointments can only add to the admiration which Julia fans will feel on reading what she referred to as ‘The French Book’. 
My Life in France was the sort of book that pained me to finish. There was only one thing to be done: I’d been bitten by the bug and now simply had to read more Julia. So, as you do, I popped onto Amazon, where Julie and Julia – My Year of Cooking Dangerously by Julie Powell came to my attention. I’d heard of it; in fact, one of my grub-loving friends had recommended it to me; I just hadn’t bought it yet. One click later and the book was delivered to me at the end of last week, just in time for the May Bank Holiday weekend – a blissful three days of Nothing Planned. Julie and Julia arrived with impeccable timing because on commencing to read this book I experienced the startling result of waking up well before I would normally have roused myself on a long weekend. Why? To read The Book, of course, and for once I’m not complaining about waking early. Not at all.
So, every morning for the past three days, as Monsieur slumbered on next to me, my first waking thought was “I wonder what Julie does next?” as I grabbed the book and read as quietly as possible so that Monsieur wouldn’t wake up and disturb this precious reading time. You see, this Julie Powell person had decided on a whim to cook every single one of the 524 recipes in Julia Child’s Mastering the Art of French Cooking in a mere 365 days. AND she had a full-time job, AND a tiny kitchen AND lived in Long Island City, which isn’t the best place to find some of the more unusual ingredients commanded by such recipes. To call this book entertaining is quite the culinary understatement. Refreshingly, there’s zero pretension. If the aspic doesn’t set or if murdering lobsters keeps Powell awake at night, we hear about it. Some recipes work, others don’t, and at times Powell enlists a search party to track down some strange foodstuff or other. Oh my Heavens, how I am loving this book, right down to the plumbing issues and day job and the strain that an obsession with cooking can place on a relationship.
As veteran Googlers tend to do, I’ve also spent some time reading the Julie and Julia Project blog, which is the unwitting inspiration for the book. There’s also the current Julie Powell blog to salivate over and on You Tube, there’s a trailer for THE FILM (see end of post), starring none other than Meryl Streep as Julia Child and Amy Adams as frustrated cooking-by-night-to-save-own-sanity government agency temp, Julie Powell. Now we just have to wait until it’s released on 7 August (I’m counting the days and if you know someone who can donate preview tickets to this particularly enthusiastic fan, then please please pretty please would you let me know?).
Believe it or not, you can also follow @Julia_Child on Twitter, only it’s not REALLY Julia (unless there’s a new app allowing us to tweet from beyond the grave), because she passed away in 2004, aged an astonishing 91. Following this sad date on the Child fan’s calenday, The Smithsonian was lucky enough to be given her kitchen, copper pans, units, books ‘n’ all and it’s now a crowd-drawing exhibit. (The Smithsonian has been added to my Bucket List. )
So, to sum up, unless I’m mistaken, it would seem that we’re in a mid-Julia Child revival and we just might have former government drone, Julie Powell to thank for that. Personally, I love the fact that courtesy of Powell I’ve now learned what a gimlet is and have added kattywhompus to my vocabulary.
In the meantime, here’s the trailer for the film of Julie and Julia:








































